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Film presets for capture one pro3/29/2024 It’s no wonder that as soon as I got my own X-pro3, I set it to Classic Negative and pretty much never changed it since!Īt first I just replicated the settings from my X-trans III recipe using Classic Negative instead of Classic Chrome, but after using it for a while and playing around with some of the new options like Color Chrome Effect and FX Blue, I’ve mostly settled on the settings below. It was love at first sight as soon as I saw Jonas Rask’s images with this film sim, as it seemed to fit my “film-look” aesthetic right out of the box. X-trans IV recipe (X-Pro 3, x100V, X-T4)īack when the X-Pro3 was announced I was very skeptical on some of the hardware design changes, but one thing that immediately got me excited was the jpg-oriented software updates and specifically the new Classic Negative film simulation. So I’ve had to tweak my color recipe a few times along the way to fit each camera generation – they’re not exact matches, of course, but I believe they have the same overall vibe.īelow you’ll find the different iterations of my recipe for the different camera/sensor generations (there is no X-Trans II version, but you can easily use the X-Trans III recipe for those cameras with some minor adjustments). Originally I came up with this recipe when I was using a Fujifilm X-T20, but since then I’ve also owned a X-Pro1 which didn’t have Classic Chrome available, and now I’m using a X-Pro3 which has the amazing new Classic Negative. For example, if you prefer Fuji’s classic film tones, you can change the WB shift to -2 Red to enhance the greens. I’m a big fan of Kodak’s tones – especially in its slide films – so my color simulation is geared towards that warmer look, but you can change that just by changing the WB shift. Something that I realized from using his simulations is that the biggest defining factor in the final look of the jpg is the Auto White Balance shift applied. Colorįor my color simulation, I took several ideas from Ritchie’s Fuji recipes and mashed them all into one. Update 08-08-2021: I’ve shared some new Fuji recipes here. One of the things that I was also hoping to achieve by shooting jpg was to get a more consistent look in my photos, but looking back that never really happened because I kept changing back and forth between all of those recipes! So in order to simplify my shooting process and get more consistent results, I decided to stick with just one color simulation and one black & white simulation recipe. Some jpg examples shot using Ritchie’s Vintage Kodachrome and Fuji Superia 800 recipes My favorites so far have been the Kodachrome simulations (both the Vintage Kodachrome and Kodachrome II) and Fuji Superia 800, but they’re really all quite excellent and cover an enormous range of looks. This site was a real game changer, as it allowed me to emulate directly in the camera many of the looks that I was trying to recreate using Lightroom presets. I began exploring different possibilities using the in-camera film simulation settings and came across Ritchie Roesch‘s “ Fuji X Weekly” blog, which features some really excellent Fujifilm recipes inspired by classic films. Choosing between them became an extremely time consuming task and it got to the point where I would sometimes spend over half-an-hour with a single photo going back and forth between different looks.Įarlier in 2018 I realized that I should really spend less time editing and more time shooting, so I decided to use the jpgs instead of the raw files as much as possible. You can get as many different looks as you want, none necessarily “better” than the others, just different. But the greatest thing about working in raw quickly became my biggest problem: the endless possibilities provided by editing these files means it’s a never-ending task. It’s nothing short of amazing the range you get when editing Fujifilm’s raf files, especially when it comes to recovering shadows and highlights. That being said, as much as I appreciated the quality of the jpgs, I almost always ended up working on the raw files for the added post-processing flexibility and to get a more stylized look. The colors and details are just stunning, and as someone who grew up with film photography in the 80s, the idea of having film simulations directly in the camera was just perfect! Like so many other Fujifilm users out there, one of the main things that drew me into the X series system was the quality of their jpg files and the film simulations.
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